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Pretty sure that "the records he made with Max Roach and Ray Brown" - is someone's typo from somewhere along the line.. Clifford Brown not Ray Brown, would make sense.

I was always intrigued by how *far away* from the Coltrane Quartet sound the early McCoy records on Impulse sound: – for every slightly reminiscent modal vamp tune like say Contemporary Focus – there are lashings of standards and such swinging straight-ahead playing. Nights of Ballads and Blues for instance is an unashamedly pretty record with lots of soul

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Ah but wait . Tyner is talking late 40's here right? So maybe yes, Ray Brown.

But there was really only the one session [4 tunes?] - so when McCoy says “Judging from the records he made with Max Roach and Ray Brown, I think he had reached his prime then” - he would be meaning just those two 78's [4 tunes] that came out in 1949/1950 ?

“Bud Powell recorded only a few sides with Roach and Brown. Those 1949 sessions, Powell’s first as a leader..” - the sides many of us know from Bud Powell's 'Jazz Giant' LP on Verve right?

Confusing myself, in public. Again.

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possibly Tyner was referring to the quartet version of Ascension from Salle Pleyel 28/7/65, though of course that recording would only come out as a bootleg.

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